000			01911nam a2200253 a 4500
001			001084699
003			AM-YeNLA
005			20190508152430.0
008			150608s1966 nyu r 000 0 eng d
040			_aAM-YeNLA
041	1		_aeng _hrus
100	1		_aStanislavsky, Konstantin _d1863-1938
240	1	0	_aRabota aktera nad soboi _n1 _pRabota nad soboi v tvorcheskom protsesse perezhivaniia _lEnglish
245	1	3	_aAn actor prepares / _cConstantin Stanislavski; translated by Elizabeth Reynolds Hapgood; introd. by John Gielgud.
250			_a21st large printing
260			_aNew York : _bTheatre arts books, _c1966.
300			_a295 p. ; _c21 cm.
500			_aTranslation of: Rabota aktera nad soboi. 1. Rabota nad soboi v tvorcheskom protsesse perezhivaniia
520			_aSummary: This work is the first volume of Stanislavski's trilogy on the art of acting. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself
505	0		_aContents: The first test -- When acting is an art -- Action -- Imagination -- Concentration of attention -- Relaxation of muscles -- Units and objectives -- Faith and a sense of truth -- Emotion memory -- Communion -- Adaptation -- Inner motive forces -- The unbroken line -- The inner creative state -- The super-objective -- On the threshold of the subconscious
650	1	4	_aMethod acting
700	1		_aHapgood, Elizabeth Reynolds _4trl
700	1		_aGielgud, John _4aui
999			_c962048 _d962048