000			02093nam a2200313 a 4500
001			000982712
005			20170508194142.0
008			130923s2012 gw r 000 0 eng d
020			_a978-3-8365-4114-5
041	1		_aeng _hger
100	1		_aWalter, Ingo F. _d1940-2007 _eEditor
245	1	0	_aArt of the 20th century / _cEd. by Ingo F. Walter; authors: Karl Ruhrberg, Manfred Schneckenburger, New media: Christiane Fricke, phot.: K Honnef.
246	1	4	_aArt of the 20th century _bPainting. Sculpture. New Media. Photography
260			_aKöln : _bTaschen, _c2012.
300			_a2 part : _bill., ports. ; _c28 cm.
500			_aWith hard- and supercover
500			_a2 part in one book
500			_aCont. of part I: Prologue to modernism.- The world as symbol.- The break with history.- Expression and form.- Class9cism and imagination.- The end of illusion.- Revolt and poetry.- Abstraction and reality.- The face of the century.- Between revolt and acceptance.- The Paris-New York shift.- Painting as a mind-game.- Beyond utopia.- At this writing.
500			_aCont. of part II: Between tradition and modernity.- Abstraction and cubism's sound shift.- Constructing the world.- From readymade to surrealist object.- New materials: Iron and steel.- Biomorphic sculptures-a vitalistic counterposition.- Post-War positions: the existential and the abstract.- Kinetic expansion.- The direct language of reality.- American and European minimalists.- Post-minimal: sensual intensity and the expansion of art.- The delta of the contemporary.
504			_aIndex of name: p. 834-840
505	0	0	_gPart I (2012; 402 p.: col. ill., ports.) _iPainting _rBy Karl Ruhrberg _gPart II (2012; p. 403-840: col. ill., ports.) _iSculpture _rBy Manfred Schneckenburger; New media by Christiane Fricke; Photogr. by Klaus Honnef
546			_aTranslation from German
650	1	4	_aArt, Modern _xHistory _y20th century
650	1	4	_aArt _xHistory
700	1		_aRuhrberg, Karl _4aut _d1924-
700	1		_aSchneckenburger, Manfred
700	1		_aFricke, Christiane
700	1		_aHonnef, Klaus _d1939- _4pht
999			_c876877 _d876877