000 01524ncm a2200253 a 4500
001 000908198
003 AM-YeNLA
005 20231008115611.0
008 120726s2011 ilu r 000 0 eng d
020 _a978-0-252-03584-5
040 _aAM-YeNLA
_beng
_dAM-YeNLA
041 0 _aeng
245 0 0 _aJ.S.Bach and the Oratorio tradition /
_cEd. by Daniel R.Melamed.
260 _aUrbana ;
_aChicago ;
_aSpringfield :
_bUniversity of Illinois press,
_c2011.
300 _aIX, 153 p. :
_bIll.; note ;
_c26 cm.
440 0 _aBach perspectives
_vVol.8
_9264077
500 _aBach perspectives is sponcored by the American Bach society and producted under the guidance of its editorial board
504 _aIndex: p.149-153.
505 0 _aCont.:Under the spell of opera?/ By Christoph Wolff;Johann Sebastian Bach and Barthold Heinrich Brocks /By Daniel R.Melamed;Drama and discourse:the form and function of chorale tropes in Bach's oratorios /By Markus Rathey; Oratorio on five afternoons:from the Lübeck abendmusiken to Bach's Christmas Oratorio /By Kerala J.Snyder; The triumph of "Instrumental melody":aspects of musical poetics in Bach's St.John Passion /By Laurence Dreyfus; Bach's Ascension Oratorio:God's kingsdoms and their representation /By Eric Chafe
600 1 0 _aBach, Johann Sebastian
_cGerman composer, organist, harpsichordist, violist, and violinist of the Baroque.
_d1685-1750
_9264078
650 1 4 _aMucik critik
_xMucikologists
_zGeman
_9264079
700 1 _aMelamed, Daniel R.
_4edt
_9264080
942 _2udc
_cMU
999 _c809992
_d809992