000 | 01841nam a2200301 4500 | ||
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003 | AM-YeNLA | ||
005 | 20221201134442.0 | ||
008 | 221201s2021 ja a||||rb||||00||||eng|| | ||
020 | _a9784866581781 | ||
040 |
_aAM-YeNLA _beng |
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041 | 1 |
_aeng _hjpn |
|
080 | _a792(52) (NLA) | ||
100 | 1 |
_aYasuda, Noboru, _d1956- |
|
240 | 1 | 0 |
_aNō. _lEnglish. |
245 | 1 | 0 |
_aNoh as living art : _binside Japan's oldest theatrical tradition / _cby Yasuda Noboru ; translated by Kawamoto Nozomu. |
250 | _aFirst English edition. | ||
260 |
_aTokyo : _bJapan Publishing Industry Foundation for Culture, _c2021. |
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300 |
_axiii, 103 pages : _billustrations ; _c22 cm. |
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490 | 0 | _aJapan Library | |
504 | _aIncludes bibliographical references. | ||
505 | 0 | _aKeys to Noh's enduring relevance -- Mythical origins to feudal transformation -- Edo period to the present -- Form and function -- The genius of Zeami -- Noh and the tapestry of Japanese literature -- Engaging the imagination -- Why study Noh? -- Appendix. | |
520 |
_a"Noh is recognized as one of the oldest and greatest theatrical traditions in the world. Embraced by the samurai elite some 650 years ago, it ultimately permeated every level of Japanese society through the vehicle of utai (noh singing) and inspired generations of writers and scholars in Japan and around the world. What accounts for noh's enduring vitality? What does this austerely beautiful, understated art form have to offer a digitalized society awash in instant entertainment? Noh actor Yasuda Noboru answers these and other questions in this uniquely personal and accessible introduction to noh as living art." -- _cFrom publisher's description. |
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650 | 1 | 4 | _aNō |
650 | 1 | 4 |
_aPerforming arts _zJapan |
700 | 1 |
_aKawamoto, Nozomu. _etranslator |
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942 |
_2udc _cBK |
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998 | _cNLAANI_14 | ||
999 |
_c1873083 _d1873061 |