000			01619nam a2200253 a 4500
001			001151593
003			AM-YeNLA
005			20190508161429.0
008			160525s1964 nyuacf||r|||||000|0|eng d
040			_aAM-YeNLA _beng _cAM-YeNLA
041	0		_aeng
080			_a791.43:654.79(73)
100	1		_aSchumach, Murray
245	1	4	_aThe face on the cutting room floor : _bthe story of movie and television censorship / _cby Murray Schumach.
260			_aNew York : _bWilliam Morrow & Co., _c1964.
300			_a305 p., : _b40 unnumbered p. of plates, ill., portraits ; _c24 cm.
500			_aWith hard-and supercover
504			_aIncludes index
505	0		_aCont.: The law and the profits -- Quality and control -- Pressures and politics -- Aftermath of cowardice -- Boudoirs and blood -- By trial and error -- Television censorship -- What next? -- Appendix 1: Curious samples of foreign censorship -- Appendix 2: How some foreign countries classify films -- Appendix 3: The Motion Picture Production Code.
520			_aThe history of cinema censorship is as much a panorama of American morality in the twentieth century as it is a tale of quick-buck chicanery, hypocrisy, bigotry, ignorance, and the admirable struggle to make movies a great art form. Starting with the films of Mabel Normand, Roscoe Fatty Arbuckle, and Jean Harlow, the battles both secret and public over what the American public should or should not see have grown in, etc...
650	1	4	_aMotion pictures _xCensorship
650	1	4	_aMotion pictures _xMoral and ethical aspects
650	1	4	_aMotion picture industry _xHistory _zUnited States
999			_c1008169 _d1008169