ՄԵԸՔ մանրամասներ
| 000 -LEADER |
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| fixed length control field |
01911nam a2200253 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
001084699 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
AM-YeNLA |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190508152430.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
150608s1966 nyu r 000 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
AM-YeNLA |
| 041 1# - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| Language code of original |
rus |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Stanislavsky, Konstantin |
| Dates associated with a name |
1863-1938 |
| 240 10 - UNIFORM TITLE |
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| Uniform title |
Rabota aktera nad soboi |
| Number of part/section of a work |
1 |
| Name of part/section of a work |
Rabota nad soboi v tvorcheskom protsesse perezhivaniia |
| Language of a work |
English |
| 245 13 - TITLE STATEMENT |
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| Title |
An actor prepares / |
| Statement of responsibility, etc. |
Constantin Stanislavski; translated by Elizabeth Reynolds Hapgood; introd. by John Gielgud. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
21st large printing |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
Theatre arts books, |
| Date of publication, distribution, etc. |
1966. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
295 p. ; |
| Dimensions |
21 cm. |
| 500 ## - GENERAL NOTE |
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| General note |
Translation of: Rabota aktera nad soboi. 1. Rabota nad soboi v tvorcheskom protsesse perezhivaniia |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Summary: This work is the first volume of Stanislavski's trilogy on the art of acting. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Contents: The first test -- When acting is an art -- Action -- Imagination -- Concentration of attention -- Relaxation of muscles -- Units and objectives -- Faith and a sense of truth -- Emotion memory -- Communion -- Adaptation -- Inner motive forces -- The unbroken line -- The inner creative state -- The super-objective -- On the threshold of the subconscious |
| 650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Method acting |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Hapgood, Elizabeth Reynolds |
| Relator code |
trl |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Gielgud, John |
| Relator code |
aui |
