ՄԵԸՔ մանրամասներ
| 000 -LEADER |
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| fixed length control field |
01619nam a2200253 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
001151593 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
AM-YeNLA |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190508161429.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
160525s1964 nyuacf||r|||||000|0|eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
AM-YeNLA |
| Language of cataloging |
eng |
| Transcribing agency |
AM-YeNLA |
| 041 0# - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 080 ## - UNIVERSAL DECIMAL CLASSIFICATION NUMBER |
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| Universal Decimal Classification number |
791.43:654.79(73) |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Schumach, Murray |
| 245 14 - TITLE STATEMENT |
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| Title |
The face on the cutting room floor : |
| Remainder of title |
the story of movie and television censorship / |
| Statement of responsibility, etc. |
by Murray Schumach. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
William Morrow & Co., |
| Date of publication, distribution, etc. |
1964. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
305 p., : |
| Other physical details |
40 unnumbered p. of plates, ill., portraits ; |
| Dimensions |
24 cm. |
| 500 ## - GENERAL NOTE |
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| General note |
With hard-and supercover |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes index |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Cont.: The law and the profits -- Quality and control -- Pressures and politics -- Aftermath of cowardice -- Boudoirs and blood -- By trial and error -- Television censorship -- What next? -- Appendix 1: Curious samples of foreign censorship -- Appendix 2: How some foreign countries classify films -- Appendix 3: The Motion Picture Production Code. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
The history of cinema censorship is as much a panorama of American morality in the twentieth century as it is a tale of quick-buck chicanery, hypocrisy, bigotry, ignorance, and the admirable struggle to make movies a great art form. Starting with the films of Mabel Normand, Roscoe Fatty Arbuckle, and Jean Harlow, the battles both secret and public over what the American public should or should not see have grown in, etc... |
| 650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
Censorship |
| 650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
Moral and ethical aspects |
| 650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion picture industry |
| General subdivision |
History |
| Geographic subdivision |
United States |
